Marsel van Oosten Wildlife and Landscape original /imported/images/web/EU/ambassadors/marsel-van-oosten/marsel_van_oosten_overview_masthead--original.jpg original /imported/images/web/EU/ambassadors/marsel-van-oosten/ambassador_landing_marsel_van_oosten_profile--original.jpg My images are a personal, artistic interpretation of the natural world marsel_van_oosten_link original /imported/images/web/EU/ambassadors/marsel-van-oosten/marsel_van_oosten_biography_masthead--original.jpg <p>Dutch-born Marsel van Oosten began his career in advertising. Photography started as a means of escaping fast-paced advertising-life, but it was during a trip to Tanzania and close encounters with the animals of the Serengeti, where Marsel developed a passion for wildlife photography. Five years later, Marsel left advertising to become a full-time photographer, and hasn’t looked back.<br>Marsel’s images, which feature in galleries and museums across the globe, are famed for their composition, lighting, colour and perspective. In his work, he tries to keep his images clean and uncluttered, enabling the viewer to focus on the image’s inherent graphic qualities. <br>As a result, he has been decorated with many prestigious awards, including winning the overall titles for; Wildlife Photographer of the Year (Natural History Museum), Travel Photographer of the Year (TPOTY), and International Nature Photographer of the Year (2x in the International Photography Awards). <br>Furthermore, his awards cabinet includes; First Prizes in the European Wildlife Photographer of the Year (Natural History Museum) and Nature’s Best International Photography Awards, two First Prizes in the Travel Photographer of the Year (TPOTY), and several awards in the Wildlife Photographer of the Year (Natural History Museum). <br>Marsel currently spends his time between The Netherlands and South Africa running specialized nature photography tours with producer Daniella Sibbing.</p> Marsel's images celebrate the beauty of the natural world, while also depicting how fragile it is. Through his images, he hopes people will realise the importance of conserving and protecting the planet for future generations to come. 6 6 original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_malagasy_girls_madagascar_thumb--original.jpg original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_malagasy_girls_madagascar--original.jpg <p>Malagasy Girls, Madagascar</p> <p><a href="/EU/product/digital-cameras/mirrorless/professional/z-7">Nikon Z 7 </a> | 1/100 sec. | f/8 25mm | ISO 320 | <a href="/EU/product/nikkor-z-lenses/auto-focus-lenses/fx/zoom/nikkor-z-24-70mm-f-4-s">NIKKOR Z 24-70mm f/4 S </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_aquaculture_fujian_china_thumb--original.jpg original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_aquaculture_fujian_china--original.jpg <p>Aquaculture in Fujian, China</p> <p><a href="/EU/product/digital-cameras/slr/professional/d5">Nikon D5 </a> | 1/250 sec. | f/11 112mm | ISO 800 | <a href="/EU/product/nikkor-lenses/auto-focus-lenses/fx/zoom/af-s-nikkor-80-400mm-f-4-5-5-6-g-ed-vr">AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_panda_china_thumb--original.jpg true true original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_panda_china--original.jpg <p>Panda in China</p> <p><a href="/EU/product/digital-cameras/slr/professional/d5">Nikon D5 </a> | 1/640 sec. | f/5.6 230mm | ISO 800 | <a href="/EU/product/nikkor-lenses/auto-focus-lenses/fx/zoom/af-s-nikkor-80-400mm-f-4-5-5-6-g-ed-vr">AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_chinstrap_penguin_antarctica_thumb--original.jpg true true original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_chinstrap_penguin_antarctica--original.jpg <p>Chinstrap Penguin, Antarctica</p> <p><a href="/EU/product/digital-cameras/slr/professional/d850">Nikon D850 </a> | 1/2000 sec. | f/11 195mm | ISO 500 | <a href="/EU/product/nikkor-lenses/auto-focus-lenses/fx/zoom/af-s-nikkor-180-400mm-f-4e-tc1-4-fl-ed-vr">AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_lut_desert_iran_thumb--original.jpg original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_lut_desert_iran--original.jpg <p>The Lut Desert, Iran</p> <p><a href="/EU/product/digital-cameras/mirrorless/professional/z-7">Nikon Z 7 </a> | 1/1 sec. | f/5.6 34mm | ISO 800 | <a href="/EU/product/nikkor-z-lenses/auto-focus-lenses/fx/zoom/nikkor-z-24-70mm-f-4-s">NIKKOR Z 24-70mm f/4 S </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_taxi_bike_madagascar_thumb--original.jpg original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_taxi_bike_madagascar--original.jpg <p>Local Taxi Bike in Madagascar</p> <p><a href="/EU/product/digital-cameras/mirrorless/professional/z-7">Nikon Z 7 </a> | 1/640 sec. | f/8 52mm | ISO 64 | <a href="/EU/product/nikkor-z-lenses/auto-focus-lenses/fx/zoom/nikkor-z-24-70mm-f-4-s">NIKKOR Z 24-70mm f/4 S </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_panorama_antarctic_peninsula_thumb--original.jpg original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_panorama_antarctic_peninsula--original.jpg <p>Bay of the Antarctic Peninsula</p> <p><a href="/EU/product/digital-cameras/mirrorless/professional/z-7">Nikon Z 7 </a> | 1/125 sec. | f/5.6 70mm | ISO 800 | <a href="/EU/product/nikkor-z-lenses/auto-focus-lenses/fx/zoom/nikkor-z-24-70mm-f-4-s">NIKKOR Z 24-70mm f/4 S </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_oxpecker_botswana_thumb--original.jpg original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_oxpecker_botswana--original.jpg <p>Oxpecker in Botswana</p> <p><a href="/EU/product/digital-cameras/slr/professional/d810">Nikon D810 </a> | 1/1250 sec. | f/5.6 600mm | ISO 320 | <a href="/EU/product/discontinued/nikkor-lenses/2018/af-s-nikkor-600mm-f-4g-ed-vr">AF-S NIKKOR 600mm F/4G ED VR </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_penguins_antarctica_thumb--original.jpg true true original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_penguins_antarctica--original.jpg <p>Penguins at the Antarctic Peninsula</p> <p><a href="/EU/product/digital-cameras/slr/professional/d810">Nikon D810 </a> | 1/1000 sec. | f/9 150mm | ISO 1600 | <a href="/EU/product/discontinued/nikkor-lenses/2018/af-s-nikkor-70-200mm-f-2-8g-ed-vr-ii">AF-S NIKKOR 70-200mm f/2.8G ED VR II </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_leopard_south_africa_thumb--original.jpg true true original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_leopard_south_africa--original.jpg <p>A leopard preparing for a hunt in South Africa</p> <p><a href="/EU/product/digital-cameras/slr/professional/d850">Nikon D850 </a> | 1/200 sec. | f/5.6 130mm | ISO 5000 | <a href="/EU/product/nikkor-lenses/auto-focus-lenses/fx/zoom/af-s-nikkor-80-400mm-f-4-5-5-6-g-ed-vr">AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_yellow_mountain_china_thumb--original.jpg original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_yellow_mountain_china--original.jpg <p>Yellow Mountain, China</p> <p><a href="/EU/product/digital-cameras/slr/professional/d850">Nikon D850 </a> | 1/125 sec. | f/8 145mm | ISO 64 | <a href="/EU/product/discontinued/nikkor-lenses/2018/af-s-nikkor-70-200mm-f-2-8g-ed-vr-ii">AF-S NIKKOR 70-200mm f/2.8G ED VR II </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/thumbnails/marsel_van_oosten_gallery_polar_bears_svalbard_thumb--original.jpg original /imported/images/web/EU/ambassadors/marsel-van-oosten/gallery/marsel_van_oosten_gallery_polar_bears_svalbard--original.jpg <p>Polar Bears, Svalbard</p> <p><a href="/EU/product/digital-cameras/slr/professional/d850">Nikon D850 </a> | 1/2500 sec. | f/4 360mm | ISO 1600 | <a href="/EU/product/nikkor-lenses/auto-focus-lenses/fx/zoom/af-s-nikkor-180-400mm-f-4e-tc1-4-fl-ed-vr">AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR </a></p> original /imported/images/web/EU/ambassadors/marsel-van-oosten/marsel_van_oosten_gear_masthead--original.jpg My photography portfolio is very diverse, meaning it’s crucial I have a broad selection of kit on hand to suit the different environments I shoot in. From photographing endangered species to capturing far away landscapes, I need equipment that will work in the toughest conditions for both nature and wildlife. Nikon’s wide selection of cameras and lenses never let me down. original /imported/images/web/EU/ambassadors/marsel-van-oosten/gear/marsel_van_oosten_kitbag_d850--original.png Nikon D850 The D850 is such an all-round camera and is at the centre of every shoot I do. It has the ultimate blend of resolution, speed and light – making it extremely versatile and suitable for many photography fields. Depending on the subjects and conditions, I tend to switch around the D850 between nature and wildlife shooting. Either way, it’s become an absolute staple in my kitbag, and I wouldn’t go anywhere without it! /EU/product/digital-cameras/slr/professional/d850 camera original /imported/images/web/EU/ambassadors/marsel-van-oosten/gear/marsel_van_oosten_kitbag_z7_24-70_4--original.png Nikon Z 7 Using the Z 7 was a whole new experience for me. Its wide 55mm mount diameter means it can take in so much light, which is perfect for nature photography - especially when you’re not in control of the light that you’re working with. I also loved the lightweight feel of the Z 7. It has quickly become the camera I always bring out with me because I can. It’s so compact and there’s always room in my kitbag for it. /EU/product/digital-cameras/mirrorless/professional/z-7 camera original /imported/images/web/EU/ambassadors/marsel-van-oosten/gear/marsel_van_oosten_kitbag_d5--original.png Nikon D5 The D5 has been my go-to camera for wildlife shoots. You can shoot up to 12 fps, and its AF tracking and viewfinder visibility work especially well when shooting anything that’s changing direction, for example when I’m photographing birds in flight. It’s also built like a tank and is the camera that I always grab when I know the conditions are going to be brutal. Be it severe sandstorms or howling blizzards – the D5 will survive! /EU/product/digital-cameras/slr/professional/d5 camera original /imported/images/web/EU/ambassadors/marsel-van-oosten/gear/marsel_van_oosten_kitbag_Z24-70_4--original.png NIKKOR Z 24-70mm f/4 S I really enjoyed pairing Nikon’s new mirrorless lens alongside the Z 7. So far, I’ve tested them across a variety of different landscapes, from the icebergs in Antarctica to the African savanna. What’s more impressive is the camera’s ultra-wide Z mount, which enables the lens to capture more light across the entire frame. The final images have edge-to-edge sharpness and vivid colour, and I’ll definitely be taking these on my upcoming expeditions. /EU/product/nikkor-z-lenses/auto-focus-lenses/fx/zoom/nikkor-z-24-70mm-f-4-s lens original /imported/images/web/EU/ambassadors/marsel-van-oosten/gear/marsel_van_oosten_kitbag_AFS_14-24--original.png AF-S NIKKOR 14-24mm f/2.8G ED Working with zoom lenses enables creativity when shooting. The super wide view of the 14-24mm lens combined with its fast f/2.8 aperture makes this my go-to night photography lens, perfect for landscapes. Whether it’s capturing the Milky Way or shooting a night time-lapse video, this lens is my first choice every time! /EU/product/nikkor-lenses/auto-focus-lenses/fx/zoom/af-s-nikkor-14-24mm-f-2-8g-ed lens original /imported/images/web/EU/ambassadors/marsel-van-oosten/gear/marsel_van_oosten_AFS_24-70_G--original.png AF-S NIKKOR 24-70mm f/2.8G ED The 24-70mm lens is another staple for landscape photography. Its constant aperture of f/2.8 makes it a truly versatile lens, capable of shooting in various conditions and always delivering extraordinary sharpness, colour and contrast. An absolute must for my kitbag. /EU/product/nikkor-lenses/auto-focus-lenses/fx/zoom/af-s-nikkor-24-70mm-f-2-8g-ed lens original /imported/images/web/EU/ambassadors/marsel-van-oosten/gear/marsel_van_oosten_kitbag_AFS_70_200_VR_II--original.png AF-S NIKKOR 70-200mm f/2.8G ED VR II The 70-200mm is one of my favourite lenses. It’s razor-sharp and offers a lot of creative flexibility with its focal range. I like using it for landscape photography to isolate elements or to compress the perspective, as well as using it for wildlife photography when I want to include a bit of the animal’s habitat and create so-called ‘animalscapes’. /EU/product/discontinued/nikkor-lenses/2018/af-s-nikkor-70-200mm-f-2-8g-ed-vr-ii lens original /imported/images/web/EU/ambassadors/marsel-van-oosten/gear/marsel_van_oosten_kitbag_AFS_180_400E_TC_FL--original.png AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR This is without a question my most important wildlife lens. It has a fast and accurate AF, is very sharp and has an amazing focal range. With the flip of a switch I can turn this into a 250-560mm lens whenever I need more focal length – so when an animal is walking away from me or coming towards me, I can easily keep it at the same size in my frame. The images are always sharp, and every movable part of the lens barrel is sealed, making it perfect for harsh weather and tough outdoor environments. /EU/product/nikkor-lenses/auto-focus-lenses/fx/zoom/af-s-nikkor-180-400mm-f-4e-tc1-4-fl-ed-vr lens SIMPLE AND SOPHISTICATED On average, 95 million photos and videos are shared on Instagram per day¹. It’s a competitive space, so if you want people to spend more than 0.5 seconds looking at your photo, you need to make sure it’s uncluttered, clear and to the point. Don’t try and communicate too many things with one image - instead, focus on what’s essential and eliminate all distractions. Simple is often better, but also more beautiful. Or as Leonardo da Vinci once said, “simplicity is the ultimate sophistication”. PREP TO DELIVER Great photographs are rarely the result of luck, but of creative ideas, research and planning. I tend to spend more time planning than on the photography itself, regardless of the subject. When I arrive on a location, even if it’s somewhere I’ve never been to before, I already know what I’m going to shoot, how and when. Having a plan helps me to focus on the essentials and be more efficient. Sometimes the plan is simple enough to store in my head, other times, I have to create a very detailed shooting schedule to know exactly what I need to do. Preparation is the key to success. SET A PROCESS Whatever the photography project, there’s always a process I have in place to make sure I’ve made the right decisions along the way. Step one is easy; ensuring you know the exact subject or scene you are photographing. Step two is making sure you know the reason behind taking the photographs. Is it because you have seen many beautiful images of it in the past, and want to capture the same too? That might mean your subject choice isn’t original enough. Step three is thinking about timing: every subject has a specific time of year or day that will give you the best results, depending on the look you’re after. Step four is thinking of the location, which is imperative when there are so many subjects that can be found all over the planet. You need to decide what circumstances, habitat and weather conditions you want in order to agree on the right location. The final stage is thinking about the technique you’re going to use and the equipment that will help you achieve the best shots possible. Once you’ve considered all these elements, you’ll be in a good place. REMAIN OBJECTIVE As creators of images, we naturally become emotionally attached to them - you remember how much effort it took you to get there, how impressive the scenery was, how much fun you had, and so on. Although precious, these memories and emotions can keep you from looking objectively at your images and make you believe they’re better than they are. One of the most valuable lessons I learnt in art school was to try and detach myself from my work and look at my images as if they’d been created by someone else. Once you learn to do that, you’ll be better at identifying the real gems. THE 10 PHOTOGRAPHERS TEST A truly original photograph is the ideal, but most of the time you’ll be shooting subjects that have graced the lens of a camera before. Instead, ask yourself this question: if 10 other photographers had been standing there next to you, how many of them would have shot the same image? This question forces you to be more creative in the field. Remember, it’s better to fail in originality than to succeed in imitation. PRE-VISUALISE This is one of the most important tools for photographers. Don’t just try to capture what you see in front of you, try to capture what you want to see - the image that’s inside your head. Nature photography is more than just making photocopies of reality, it’s about creating your own artistic interpretation. This is often difficult in the beginning, but soon you will develop your own visual preference, that will eventually lead to a creative style. Once you know what you want the image to look like, you will know exactly what to do and what to avoid. To do this effectively is the holy grail of creative thinking. original /imported/images/web/EU/ambassadors/marsel-van-oosten/marsel_van_oosten_tips_masthead--original.jpg <p>¹ <a href="https://www.wordstream.com/blog/ws/2017/04/20/instagram-statistics" target="_blank"><em>https://www.wordstream.com/blog/ws/2017/04/20/instagram-statistics</em> </a></p> I AM KADIR VAN LOHUIZEN Photojournalist & Lecturer Menu DAVID YARROW Wildlife & Fine Arts OVERVIEW PHOTOGRAPHY TIPS Photography Tips SPECIAL PROJECT About the Special Project BIOGRAPHY Biography GALLERY Gallery WHAT’S IN MY BAG What’s in my bag? Read more Read less Find out more View Camera View Lens Meet the other Nikon ambassadors Close STORIES TO BE TOLD Stories to be Told /EU/learn_explore/ambassadors/europe_ambassadors/europe_ambassador_landing.page LOAD MORE LOAD MORE View All Lenses View All Cameras Lens Cameras [host] = [abf.nkisc.eu] [X-Forwarded-For] = [44.223.232.55] [connection] = [close] [accept-encoding] = [gzip,deflate] [user-agent] = [Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; Amazonbot/0.1; +https://developer.amazon.com/support/amazonbot) Chrome/119.0.6045.214 Safari/537.36] learn_explore/ambassadors/europe_ambassadors/marsel_van_oosten/overview

Marsel van Oosten

Wildlife and Landscape

My images are a personal, artistic interpretation of the natural world

Biography

Dutch-born Marsel van Oosten began his career in advertising. Photography started as a means of escaping fast-paced advertising-life, but it was during a trip to Tanzania and close encounters with the animals of the Serengeti, where Marsel developed a passion for wildlife photography. Five years later, Marsel left advertising to become a full-time photographer, and hasn’t looked back.
Marsel’s images, which feature in galleries and museums across the globe, are famed for their composition, lighting, colour and perspective. In his work, he tries to keep his images clean and uncluttered, enabling the viewer to focus on the image’s inherent graphic qualities.
As a result, he has been decorated with many prestigious awards, including winning the overall titles for; Wildlife Photographer of the Year (Natural History Museum), Travel Photographer of the Year (TPOTY), and International Nature Photographer of the Year (2x in the International Photography Awards).
Furthermore, his awards cabinet includes; First Prizes in the European Wildlife Photographer of the Year (Natural History Museum) and Nature’s Best International Photography Awards, two First Prizes in the Travel Photographer of the Year (TPOTY), and several awards in the Wildlife Photographer of the Year (Natural History Museum).
Marsel currently spends his time between The Netherlands and South Africa running specialized nature photography tours with producer Daniella Sibbing.



What’s in my bag?

My photography portfolio is very diverse, meaning it’s crucial I have a broad selection of kit on hand to suit the different environments I shoot in. From photographing endangered species to capturing far away landscapes, I need equipment that will work in the toughest conditions for both nature and wildlife. Nikon’s wide selection of cameras and lenses never let me down.



Nikon D850

The D850 is such an all-round camera and is at the centre of every shoot I do. It has the ultimate blend of resolution, speed and light – making it extremely versatile and suitable for many photography fields. Depending on the subjects and conditions, I tend to switch around the D850 between nature and wildlife shooting. Either way, it’s become an absolute staple in my kitbag, and I wouldn’t go anywhere without it!

View Camera

Nikon Z 7

Using the Z 7 was a whole new experience for me. Its wide 55mm mount diameter means it can take in so much light, which is perfect for nature photography - especially when you’re not in control of the light that you’re working with. I also loved the lightweight feel of the Z 7. It has quickly become the camera I always bring out with me because I can. It’s so compact and there’s always room in my kitbag for it.

View Camera

Nikon D5

The D5 has been my go-to camera for wildlife shoots. You can shoot up to 12 fps, and its AF tracking and viewfinder visibility work especially well when shooting anything that’s changing direction, for example when I’m photographing birds in flight. It’s also built like a tank and is the camera that I always grab when I know the conditions are going to be brutal. Be it severe sandstorms or howling blizzards – the D5 will survive!

View Camera

NIKKOR Z 24-70mm f/4 S

I really enjoyed pairing Nikon’s new mirrorless lens alongside the Z 7. So far, I’ve tested them across a variety of different landscapes, from the icebergs in Antarctica to the African savanna. What’s more impressive is the camera’s ultra-wide Z mount, which enables the lens to capture more light across the entire frame. The final images have edge-to-edge sharpness and vivid colour, and I’ll definitely be taking these on my upcoming expeditions.

View Lens

AF-S NIKKOR 14-24mm f/2.8G ED

Working with zoom lenses enables creativity when shooting. The super wide view of the 14-24mm lens combined with its fast f/2.8 aperture makes this my go-to night photography lens, perfect for landscapes. Whether it’s capturing the Milky Way or shooting a night time-lapse video, this lens is my first choice every time!

View Lens

AF-S NIKKOR 24-70mm f/2.8G ED

The 24-70mm lens is another staple for landscape photography. Its constant aperture of f/2.8 makes it a truly versatile lens, capable of shooting in various conditions and always delivering extraordinary sharpness, colour and contrast. An absolute must for my kitbag.

View Lens

AF-S NIKKOR 70-200mm f/2.8G ED VR II

The 70-200mm is one of my favourite lenses. It’s razor-sharp and offers a lot of creative flexibility with its focal range. I like using it for landscape photography to isolate elements or to compress the perspective, as well as using it for wildlife photography when I want to include a bit of the animal’s habitat and create so-called ‘animalscapes’.

View Lens

AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR

This is without a question my most important wildlife lens. It has a fast and accurate AF, is very sharp and has an amazing focal range. With the flip of a switch I can turn this into a 250-560mm lens whenever I need more focal length – so when an animal is walking away from me or coming towards me, I can easily keep it at the same size in my frame. The images are always sharp, and every movable part of the lens barrel is sealed, making it perfect for harsh weather and tough outdoor environments.

View Lens

Meet the other Nikon ambassadors